Divine Punishment's debut album "Infinity" is six tracks of meticulously crafted extremity. Every note, every layer, every sound, built from scratch with no outside input and no creative compromises. The music is orchestrated violence, with each moving part being exactly where it's supposed to be. There's a precision to it, but also an elegance, something closer to composition than chaos.

Infinity is the debut album. Six tracks that move between crushing, calculated aggression and moments of genuine beauty, tied together by a single idea: "Existence itself is the architect of Divine Punishment." Some people will suffer for what they've done, and they won't even know it's happening. That's the concept. That's the sound. And this is only the beginning.

Divine Punishment is the idea that consequences don't announce themselves. They don't arrive with preface or warning. They're happening right now whether you like it or not. Most people just don't recognize it until it's too late, and some never do.

Infinity was built around that idea. Creation and destruction aren't opposites, they're the same motion observed at different points in the cycle. Everything collapses. Everything begins again. The album is six tracks moving through that loop, and the loop doesn't end when the music stops. Every note was written, performed, produced, and mixed by the same hand.

Infinity eventually ends. But sometimes it's just the beginning.